Ammagamalin Crew

I can't tell you how much I'd give to get another Zevon show. When an artist of Lanois's passion and caliber schedule shows I hate to have time and distance keep me from being there. I first heard about his guitar playing first hand from my long time Emmylou fan out of Salisbury, NC when Daniel played guitar for her band on a little 6-7 show run through the Carolinas and Virginia fall 1995. Buddy Miller then became Spyboy 's guitarist starting with their first show of Spring tour 1996 at Bogarts in Cincy, March 20th opening with Love Hurts. But Ray wrote about seeing some of the 95 fall shows with Lanois and, being a guitarist himself, exclaimed how unusual his playing was, no picks and strumming on all parts of the neck with passion that was fiery. Any FF in SoCal should get into one or all of the three shows starting Tuesday. Hopefully Charlie Miller takes on the challenge. He taped their show at the Wiltern when he opened for her on peddle steel then joined her playing the Wrecking Ball album in 2014, 🤞🤞🤞

Although it's a little disconcerting to look down at the trip odometer when showing 1000+ miles at 3am, with still another 500 to go, the time in the comfortable Hopkins Center for the Arts theater with the trio was drummer tight, bass thundering melodical groove while he crashed leads, harmonics, distortion and power with his golden Les Paul and soothed out some of best peddle steel slides with his quintessential emotions of love, sadness, family history and expressed humble gratitude to us and the world... This is also a three vocal harmony making it hard not to smile and feel peace. Opening surprisingly with Emmylou Harris's: Where Will I Be, then: I Love You, Moondog, Fire, That's The Way It Is, Under a Stormy Sky, then a song about growing up with his brother riding motorcycles across the US and Canada: Silver Riding With Silverado, Red I Love You and the Rest of the World, talked of his new love accepting his recent request for her to join in running away to the circus and getting lost: Slow Giving, sat down at peddle and was confounded there wasn't a bar , joking until his tech guy dug it out of a stage bag: JJ Leaves LA, then what he exclaimed his time in Jamaica and influenced by Bob Market was a brand new song from the bar gliding and grinding on the strings, back at the Les Paul for: Daughters and Sons>The Maker. Came back out for Stillwater, then said they had to travel and the grandparents in the audience should get back to their grandchildren. They've just added a third night to the already scheduled Tues, Wed and now Thurs in the Dreamland Theater Malibu California with a 100 audience cap on the space. That's going to be a catalog diving run and most likely new experimental music creating time. Check out the 3D virtual tour of the theater space with unusual couches, Easy Chairs and tiger statues ... wild

It took long enough, next Saturday 5/4/24 in Hopkins, MN (there's still some tickets ~ $48.00 + $2.00 fee) and then a couple of shows in California. Gotta love the $2.00 ticket fee these days. 〽️

I wish I was a HEADLIGHT on that northbound TRAAAiiiNNNaiN!!! It's the Thursday right before their annual RR event.

It's going to be a last minute decision with all the whirlwind of the unexpected and eyes wide open; however, if I'm graced with the privilege of attending, that I will

Streaming Phish pholks came by the Burl in Lexington. Talked to one cat that was a Goose fan before the drummer died and is disappointed with the return with new members citing they're sounding like Phish now. He's a Phish tour head and that's what he liked about the original Goose, being different. I never added any Goose shows when being prompted by Hyryder fans at mousetrap shows a couple of years back. My concert reportore didn't have room for Goose, but I did like talking when their fans, they just weren't getting a new recruit. I believe this Friday in Lexington will most likely be my last Billy Strings having started with with him back at the JHMF in 2014. I got him to sign my acoustic guitar the third day of the three night NYE run up in Pontiac Michigan because him and his band were staying at the same Marriott hotel that he had set up for fans at a cheap rate with shuttle runs back and forth to all 3 shows. The front of the guitar has a black catfish on it and his William Apostle signature came down nicely off of the catfish's whiskers. He's was psyched about that. Met Duck and sons for the first time there in 12/31/18 and ran into him again at Billy's 2022 NYE show 🎶🔥⚡

BCE 420 Lexington: #1 Shakedown Street, Used to Love Her, The Race is On, Run for the Roses, LR Rooster, BE Women, Wang Dang Doodle, TLEO, Blow Away>Don't Ease. #2: Scarlet>Fire (with Dino English sitting in for one of the drummers), Easy Wind, Waiting for A Miracle, TWLWMYD, Truckin, Black Peter, I Need a Miracle, OMSN. Encore: Sugar Magnolia (no SSDD) The Shakedown opener was reminiscent of the Long Beach '81 with the nice long ending accentuating the keyboard with the guitar interplay. Good seeing DSO friend at the end of the show 〽️

Agreed, anything with Lanois hand in it is good work and I could see where their sound would lend itself to the visual effects of the sphere Thanks the photos Tea! Looking forward to inside reviews when they get their heads back together 🫠

Hopefully dd and dd made it in

https://www.wusf.org/arts-culture/2024-04-18/dickey-betts-dies-allman-brothers-band-dickey-sarasota-county-home Great Southern was his main band outside of Allman Brothers. So sad, really one of the most enjoyable guitarists of our times and he cont'd to play shows regularly throughout the years on his own.

Another ticket raising culprit that's embedded in the music's scene is "Platinum Seating" with it's $300-500 single seats further validating today's standards of $185-900 to see a concert. Recently in Cincinnati Coney Island pool (gathering watering site for thousands of locals for many, many years) got demolished to build a new concert venue. Understand this is right next to Riverbend Music Amphitheatre and PNC Pavilion making it essentially not needed because Riverbend and PNC are hard pressed to sellout their current line ups. I know groups of friends that have looked forward to summer each year to get season passes to Sunlight Pool at Coney Island. It's been a big part of socialization for the Cincinnati community and now being replaced with the new money making industry of concerts. The middle man triumphs once again and also reinforces the phrasing of "the good old days" for concert goers who got in coliseum shows for under $10 all the way through most of the '80s. The local news is not reporting that it was the Cincinnati Symphony that destroyed this social pool venue. I dew believe I'm near the end of going to concerts, or as phrased by Bob Dylan in the first verse of Going, Going, Gone.... "it's the top of the end"

Drove 30 min. out of Cincy for the first quarter through total at 3:08, then left fairly quickly after having experienced the 20 hr drive home from the last one when we went just outside of Nashville 😳. Got home in 25 min this time 😎. There was a plane that timed it perfectly, flying across it right before the sun was completely blocked. Weird how it's been rainy and cloudy up until today and then the forecast shows going back to rainy and cloudy after today. Today was remarkably clear

Encouraged and somewhat challenged, I started with the 5:10 min from 3/15/69 and the last 7:32 from 8/26/71 and listened going back and and forth from these bookends quickly realizing that you two have found the most enjoyable H2H's. (I'm open to any others from the mega drive search)Thanks for the lead though because I got to see how quickly Keith came in to play and understand the introduction of the 5 new songs in consideration of Pigpen's lost material. The five new ones became as paramount from 71-79 as pigpen's were from 65-71 and then similarly with Brent's new material from 79-90. Not so with Vince's 90-95.

https://archive.org/details/gd84-04-06.sbd.willy.10159.sbeok.shnf Fortunately I was able to catch my 3rd show because someone decided not to go at a Friday night house party in Laramie, Wyoming and I took my friend Tim up on the suddenly available Sat night Grateful Dead ticket for the Aladdin Theater in Las Vegas. This adventure was about the road trip. 780 miles each way and having to be back in class by Monday morning. My first two were about seeing the Grateful Dead and were only in Morrison, CO, 9/7 & 9/8/83 a mere 2 1/2 drive from UW. My fourth show was about both the road trip and the excitement of seeing the band again in Syracuse fall of '84. By then I was enrolled in college back in Cincinnati in the professional drama program CCM offered @ UC. As you listen to the end of this show picture Bobby sitting on the edge of the stage swinging his legs back and forth during SSDD🎉🎶🔥⚡also a real drippy space only a week before the last Dark Star for five years. I didn't get my first HSF until it was revived by the Warlocks in '89, even then it took me until 1990 having not gone to 9/6/83😞. But now all is good with DSO keeping things in progress! This here is an outstanding DSDB. Give a whirl without looking at the setlists... there's an unusual surprise after d/s (Edited 4/8/24)~ the comments under this archive recording tell about how closely the band was connected to the audience and illustrate the dedication of the audience to the scene and the band to the audience)

I was at band practice last Thursday night when a friend showed me one of his bootleg dead albums asking if I could find out what show it was from. Both albums had blank white labels on both sides and the cardboard cover was also blank white. He really wanted me to listen to the Little Red Rooster (with both Jerry and Bobby playing slide at the same time) declaring it possibly the best LR Rooster he'd ever heard! One album side was LR Rooster, China>Rider (sounded 80ish, so we figured that was the end of the first set) , the second album side had: Playing>Comes A Time>Playing (figured outta drums), third album side was EST>Eyes> drums, and the fourth album side was 0+0>Alabama Getaway (which we figured the AG to be an encore). Well tonight I looked into Deadbase quickly identifying his 4 bootleg album show to be Uptown Theater 8/19/80 after finding out Comes A Times was only played 7 times in 1980. Turns out he was kinda correct about that LR Rooster as it was the first one played since 1965. Give the 8/19/80 Rooster a listen to hear it before it became Bobby's slide song.